The tombs of atuan (second book of the trilogy) by ursula le guin


“Come home, Tenar! Come home!”
In the deep valley, in the twilight, the apple trees were on the eve of blossoming; here and there among the shadowed boughs one flower had opened early, rose and white, like a faint star. Down the orchard aisles, in the thick, new, wet grass, the little girl ran for the joy of running; hearing the call she did not come at once, but made a long circle before she turned her face towards home. The mother waiting in the doorway of the hut, with the firelight behind her, watched the tiny figure running and bobbing like a bit of thistledown blown over the darkening grass beneath the trees.
By the corner of the hut, scraping clean an earthclotted hoe, the father said, “Why do you let your heart hang on the child? They’re coming to take her away next month. For good. Might as well bury her and be done with it. What’s the good of clinging to one you’re bound to lose? She’s no good to us. If they’d pay for her when they took her, that would be something, but they won’t. They’ll take her and that’s an end of it.”
The mother said nothing, watching the child who had stopped to look up through the trees. Over the high hills, above the orchards, the evening star shone piercing clear.
“She isn’t ours, she never was since they came here and said she must be the Priestess at the Tombs. Why can’t you see that?” The man’s voice was harsh with complaint and bitterness. “You have four others. They’ll stay here, and this one won’t. So, don’t set your heart on her. Let her go!”
“When the time comes,” the woman said, “I will let her go.” She bent to meet the child who came running on little, bare, white feet across the muddy ground, and gathered her up in her arms. As she turned to enter the hut she bent her head to kiss the child’s hair, which was black;

but her own hair, in the flicker of firelight from the hearth, was fair.
The man stood outside, his own feet bare and cold on the ground, the clear sky of spring darkening above him. His face in the dusk was full of grief, a dull, heavy, angry grief that he would never find the words to say. At last he shrugged, and followed his wife into the firelit room that rang with children’s voices.

The Eaten One

One high horn shrilled and ceased. The silence that followed was shaken only by the sound of many footsteps keeping time with a drum struck softly at a slow heartpace. Through cracks in the roof of the Hall of the Throne, gaps between columns where a whole section of masonry and tile had collapsed, unsteady sunlight shone aslant. It was an hour after sunrise. The air was still and cold. Dead leaves of weeds that had forced up between marble pavement-tiles were outlined with frost, and crackled, catching on the long black robes of the priestesses.
They came, four by four, down the vast hall between double rows of columns. The drum beat dully. No voice spoke, no eye watched. Torches carried by black-clad girls burned reddish in the shafts of sunlight, brighter in the dusk between. Outside, on the steps of the Hall of the Throne, the men stood, guards, trumpeters, drummers; within the great doors only women had come, dark-robed and hooded, walking slowly four by four towards the empty throne.
Two came, tall women looming in their black, one of them thin and rigid, the other heavy, swaying with the planting of her feet. Between these two walked a child of about six. She wore a straight white shift. Her head and arms and legs were bare, and she was barefoot. She looked extremely small.

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The tombs of atuan (second book of the trilogy) by ursula le guin