First off, so we’re on the same page, we need to be talking in the same terms. So, what is magic? I’d define it as anything below your current level of abstraction that you don’t understand.
I first started thinking about this topic because of this angst I felt about all this magic I was relying on. There’s so many things that I rely on every day and I have no idea how they work. As far as I’m concerned, they’re magic. As long as I think about these things as magic, they seem unknowable. I think that’s where the angst comes from. What I need to remind myself is that everything I’ve learned about software seemed like magic before I understood it, and there’s nothing that’s unknowable, just things that aren’t known yet.
This post is my attempt to come to an understanding of what this ‘magic’ is, whether it’s a problem, and how best to deal with it.
The ‘Dave’ technique
At University, I learned how to record music. We recorded onto tape, so we had to learn how a tape machine worked. To learn how a tape machine worked, we had understand hysteresis and remanence and modulation and various other things that I’ve mostly forgotten now. We also had to understand how radio worked, so we learned about amplitude and frequency modulation, and how stereo FM was built on top of mono FM with an AM difference signal on top so as to be backwards compatible, and various other technical issues. Then came digital audio with ADCs, DACs, sampling, quantisation, dithering, etc. Each of these three topics was one or two modules, i. e. a semester’s-worth of lectures, so we went pretty deep.
Did that knowledge make me a better recording engineer? Probably not. But it was a helpful basis for the latter things I learned, which did help make me a better recording engineer.
The ‘Tim’ technique
Another lecturer taught us computer audio.
This started off with an introduction to computers, starting at the level of AND, OR and NOT gates, then on to NAND and NOR (and how the simpler to understand AND, OR and NOT gates can be implemented in terms of NAND and NOR), then on to the ALU, then the CPU, then adding memory and disk storage and network and MIDI connections, creating a full computer. This was all presented in two or three lectures, so inevitably certain steps had to be left out (e. g. “we put together a load of these gates and we get the ALU”).
The benefit of this approach was that we were given a vague conceptual understanding of the basis on which computer audio is built, without having to spend hours and hours learning the full intricacies.
If we’re intent on uncovering all the magic, how should we learn – bottom-up or top-down? Bottom-up, right from the bottom, implies first learning enough physics to understand electronics, which you’d need to understand digital circuit design, which you’d need to understand CPU design, which you need to understand assembly language, which you need to understand C, then enough C to understand Ruby (say). You’ll also need to understand how networks work right from the bottom of the TCP/IP stack and beyond; how storage works right from the level of hysteresis in magnetic particles on a hard disk; how RAM works from the level of individual capacitors; etc.
This reminds me of the famous Carl Sagan quote:
If you wish to make an apple pie from scratch, you must first invent the universe.